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| Fava de Bolota: a árvore ícone do estado do Tocantins inspira design com identidade. |
A inspiração agora é semente. A flor da Fava de
Bolota – árvore considerada símbolo do Tocantins – obedece ao ciclo natural e cede espaço às
vagens. Antes de sair de cena seduziu, atraiu meu olhar, pautou a criação. Emprestou
forma, textura e cartela de cor. Impactou com a beleza de uma primavera
antecipada e em boa hora descortinou o espetáculo de pura emoção. Essência
colhida também no nome e transformada na coleção de objetos voltados ao Projeto
Mulheres do Tocantins. Na sensibilidade das mãos femininas torna a desabrochar
em detalhes presentes na cerâmica, cestaria e têxteis com o perfume da
identidade local, empreendedorismo e sustentabilidade.
Na culminância dessa consultoria assentada na fusão do design
com o artesanato respiro celebração. Através do convite do Sebrae Tocantins e
Projeto de Estruturação Turística de Taquaruçu (localidade que abriga a comunidade
artesã) o aprendizado e experiências ao lado de mulheres tenazes e sonhadoras fortalecem
meus ideais de profissão. Refresca reflexões de quanto o design está imbuído do
poder de transformação social, do resgate da autoestima, da preservação do
patrimônio tangível e intangível. É sempre surpreendente adentar um território,
pedir licença aos seus habitantes e fazer uma imersão na identidade, na cultura
impregnada pelos cantos, na poética da paisagem, na regionalidade dos costumes, no
vocabulário particular, nos sotaques, nas conversas soltas e atos mais simples do
cotidiano.
O resultado do leque de produtos da Coleção Fava de Bolota traz
na estética um afago aos laços de pertencimento. É inspiração frondosa, de raiz
profunda com os sentimentos da terra e ofícios herdados dos antepassados. Nas formas,
cores e texturas os vasos, cestos, sousplats e brinquedos referendam o lugar de
origem. Esculpem memórias, tecem narrativas, entrelaçam histórias de vida e unem
poesia no ponto a ponto da delicadeza. O design expõe o traço apanhado da natureza
e o calor de mãos ávidas pela metamorfose da matéria-prima. Mãos sutis que com
urucum tingiram a fibra do buriti e a dominaram habilmente na trama secular da cestaria
e na técnica do crochê. Mãos que moldaram a argila na riqueza das minúcias que
imitam a realidade. Mãos que com linha e agulha fizeram da costura junção de vocação, ofício e tradição resguardando o
molde da originalidade. Mãos que deixaram impressas as digitais do afeto. Em Taquaruçu
uma primavera feminina demarca novas estações. Floresce um novo tempo.
[ English Text ]
[ English Text ]
The flower becomes seed
Inspiration now is a seed. The flower of Fava de Bolota – Symbolic tree from Tocantins – obeys to natural
circle, and makes room to green beans. Before coming out of the scene, seduced
my attention, guiding to creation. I took the shape, texture and color palette.
It impacted with the beauty of an early spring and in good time unveiled the spectacle
of pure emotion. Essence also collected in the name and transformed into the
collection of objects aimed at the Projeto Mulheres do Tocantins (Tocantins Women Project). In the
sensibility of the feminine hands it becomes to blossom in details present in
ceramics, basketry and textiles with the scent of local identity,
entrepreneurship and sustainability.
At the culmination of this consultancy based on the fusion of design
with the craft, I breathe celebration. At the culmination of this consultancy
based on the fusion of design with the craft breathe celebration. Through the
invitation of the Sebrae Tocantins and Taquaraçu Tourist Structuring Project
(locality that houses the artisan community), learning and experiences together
with tenacious and dreamy women strengthen my profession's ideals. Refresh
reflections of how much design is made with the power of social transformation,
the rescue of self-esteem, the preservation of tangible and intangible
heritage. It is always surprising to add a territory, to ask permission of its
inhabitants and to immerse themselves in identity, in culture impregnated by
songs, in the poetics of the landscape, in the regionality of customs, in
private vocabulary, in accents, in loose conversations and simpler acts of
daily life.
The result of the range of products of the Collection Fava de Bolota brings in aesthetics a caress to the bonds of belonging. The result of the range of products of the Collection Fava de Bolota brings in aesthetics a caress to the bonds of belonging. It is leafy, deep root inspiration with the earth's feelings and crafts inherited from the ancestors. In shapes, colors and textures, vases, baskets, sousplats and toys, referring to the place of origin. They carve out memories, weave narratives, intertwine life stories and unite poetry in the point of delicacy. The design exposes the trapped traces of nature and the warmth of strong hands through the metamorphosis of the raw material. Subtle hands that with urucum painted the buriti fiber and mastered it skillfully in the secular weaving of basketwork and crochet technique. Hands that shaped the clay in the richness of the meticulously imitating reality. Hands with thread and needle made the seam joint of vocation, craft and tradition guarding the mold of originality. Hands that imprinted the fingerprints of affection. In Taquaraçu a feminine spring demarcates new seasons. Flowers a new time.
The result of the range of products of the Collection Fava de Bolota brings in aesthetics a caress to the bonds of belonging. The result of the range of products of the Collection Fava de Bolota brings in aesthetics a caress to the bonds of belonging. It is leafy, deep root inspiration with the earth's feelings and crafts inherited from the ancestors. In shapes, colors and textures, vases, baskets, sousplats and toys, referring to the place of origin. They carve out memories, weave narratives, intertwine life stories and unite poetry in the point of delicacy. The design exposes the trapped traces of nature and the warmth of strong hands through the metamorphosis of the raw material. Subtle hands that with urucum painted the buriti fiber and mastered it skillfully in the secular weaving of basketwork and crochet technique. Hands that shaped the clay in the richness of the meticulously imitating reality. Hands with thread and needle made the seam joint of vocation, craft and tradition guarding the mold of originality. Hands that imprinted the fingerprints of affection. In Taquaraçu a feminine spring demarcates new seasons. Flowers a new time.
